October 25, 2019
The Naschycast returns for October! Barely. And we work diligently to NOT spoil this film for newcomers!
THE CORRUPTION OF CHRIS MILLER (1973) is one of the most overlooked and least talked about of the Spanish horror films of the 1970’s. In a way this is good because its rarity leaves its many secrets and revelations unknown to modern viewers. There’s a good debate to be had about how the film should be labeled. Is it a thriller or a horror film? Often the line between those two symbiotic genres can be teased apart but I think this film straddles the fence right up until the mid-point farmhouse set-piece. That is a sequence that is sure to impress even the most jaded of horror fans! Mark this film down as another precursor of the slasher genre.
We start off this show with some news and a sad goodbye to a good friend and contributor to the podcast. As stated, Troy and I do our best to not spoil the many third act disclosures that twist this amazingly well written thriller into new and wholly unexpected shapes. We talk a little about the three actors at the center of this pressure cooker drama with some attention to the earlier careers of the two female leads. Jean Seberg is a screen legend with a dozen films on her resume that would be the highlight of any actor’s life. The lovely Marisol is great here but it’s fascinating to learn of her very successful music career as a young woman. And we speculate that Barry Stokes may have been asked by a British director to essentially play exactly the same role he does here in a later film. I’d love to find out how much this movie influenced that 1977 picture. We marvel over the fine direction and cinematography, the sharp dialog and nuanced characters as we strain to keep from discussing the end of the story. It is not easy!
If you have any thoughts about THE CORRUPTION OF CHRIS MILLER or anything else we discuss in this episode please drop us a line at email@example.com and we’ll include them in the next episode. Thank you for listening and we’ll talk to you again soon.
August 24, 2019
After nearly ten years of covering Paul Naschy films it is no secret that we have reached the final few movies that are available for us to see. Sure, we’ve stayed away from some later efforts with very small roles for our hero that might be worthy of attention. But, of the movies made during his most productive years, there are not many left to dig into and most of those are movies that were never released in the United States or, in some cases, outside of Spain. Luckily, the fan-subbing community once again comes to the rescue allowing us to finally check another rare one off our Naschy bucket list. The film’s cast also includes the excellent Aurora Bautista in a significant role as well as Eva León and Loreta Tovar so there are some familiar faces for Spanish Horror fans.
LOS PASAJEROS (1975) is a hard to find film for many reasons. It seems to have been barely released even in Spain and to have been the first of only two feature films directed by José Antonio Barrero. Mr. Barrero contributed the screen story for this effort as well so it seems logical to attribute the film’s quirks to his sensibilities. He appears to have been aiming this movie at the arthouse crowd couching his (supposedly) big statements in arch symbolic actions that often leave viewers scratching their heads. It may be that a Spanish filmgoer in the mid-1970’s would have been able to puzzle out the meaning of what happens onscreen but we might never know. Still, there are points of interest for the hardcore Naschy fan since Mr. Molina has a substantial role as the rich patron presiding over a house filled with subservient people. Naschy commands these visitors to his isolated home to act out scenes from plays while he watches. It’s all pretty weird!
At the end of the show we reply to a pair of recent emails to the podcast. If you have comments or questions the address is firstname.lastname@example.org where we’ll be glad to hear from you. If you don’t want us to use your full name on the show please let us know. Thank you for listening to this episode and we’ll be back soon with another Beyond Naschy show!
July 19, 2019
It’s not often we get the opportunity to meet any of the friends we’ve made over the course of making the Naschycast. When we do (and I have enough lead-time) I try to record these fellow fans’ thoughts on our favorite Spanish Horror star. Such is the case with this mini-episode interview with longtime fan of the show and major fan of Paul Naschy – Mike Tutino! Mike has been a generous contributor to the podcast over the years with several letters of comment and observation as we’ve gone along. It was a joy to finally meet him at this summer’s Monster Bash in Pittsburgh and he is more than willing to give us a list of his favorite Naschy movies. There are a few surprises in our discussion with some affection lavished on films that Troy and I have possibly given less attention than we should. Food for further thought……..
Also, we mention the details of the upcoming releases of the new Naschy Blu-Rays coming out this year but – when talking about the exciting release of THE MUMMY’S REVENGE on Blu-Ray we neglected to tell listeners to go to the Ronin Flix website to purchase that disc. That is the only place you’ll be able to buy the film before it starts turning up on secondary sites for outrageous inflated prices. Don’t miss out!
If you have any comments or suggestions or if you want to let us know what your favorite lesser talked about Naschy film might be the email address is email@example.com where we’ll be thrilled to hear from you. We’ll be back next month with a new, regular episode covering a really rare Naschy film from 1975. Thanks for listening!
June 19, 2019
Leon Klimovsky directed dozens of films of all genres but will forever be remembered for his substantial contributions to Spanish Horror. In collaboration with Paul Naschy he made some of the most successful and effective monster movies to come out of Europe in the 1970's. The horror tales he made without Naschy are often overlooked with THE DRACULA SAGA (1973) being a perfect example. Graced with a literate, intelligent script and the music of Bach, Klimovsky brings all of his impressive skill to making a smart and, in the end, surprising take on classic vampire mythology. This one doesn't end the way you might think it will!
Troy and I are clearly thrilled to be back in the Golden Age of Spanish Horror again. We marvel over the very strong cast that includes an actor who played Dracula multiple times over the years but is rarely talked about when discussing screen vampires. Working with the director again is the always wonderful Helga Liné as the matriarch of the cursed family, Maria Kosty as a young, dangerous part of the clan and Betsabé Ruiz as a local bar wench gone vamp. Add in Tony Isbert as a husband with a wandering eye and the talented Tina Sáinz in the lead role and you have a great group of actors giving this story their full attention. And how many Dracula films add the lamia myths to the mix?
If you have any comments or suggestions we can be reached at firstname.lastname@example.org or on the show's FaceBook page. Thank you for listening and we'll be back soon with another very rare Naschy film!
March 15, 2019
Our latest episode has us finally covering an under seen and not often spoken about horror classic. A BELL FROM HELL (1973) straddles the fence between the worlds of Art-House and Exploitation cinema taking elements from both to create an impressive fusion. It's easy to imagine this film playing to highbrow crowds seeking an intellectual vision of the fate of aristocratic families in rural Spain under the Franco regime. But it's even easier to think of it playing in grindhouse theaters for people looking for cheap horror thrills from a film about a well planned, well deserved revenge. Luckily, these dissimilar audiences get what they want here with enough intelligence and excitement for both types to feel satisfied with this darkly comic tale. It's a creepy tale of hate, greed and lust couched in clearly symbolic terms to make comment on life under a repressive government. It'll keep you guessing right up until the end credits!
Troy and I try not to spoil too much of this one as it is less well known than it should be. (Where is the Blu-Ray of this exceptional work?) Nevertheless, we talk about the obvious symbolic connection between the titular bell and the film's main character as we watch him released from an asylum to return home. His aunt and cousins welcome him back, with reservations, as we watch him begin a series of increasingly cruel practical jokes with a deadly endpoint in mind. We discuss the unfortunate fate of the film's talented director, the exceptional career of the screenwriter and explain that you certainly have seen some of the cast in other places. See if you can spot where I catch myself when delineating the possible symbolic nature of certain characters because I realize I might end up spoiling one of the film's nastier surprises. Sometimes my thoughts race ahead of my best intentions!
We end the show with a voicemail from a British listener which prompts us to talk a bit about Jess Franco films again. It's pretty easy to get us onto that topic, huh? If you have any comments or questions the email address is email@example.com or we can be reached on the show's FaceBook page. Thank you for downloading and listening! Oh -and vote for us in the Rondo Awards! We'd love to win in the category BEST MULTIMEDIA SITE!
February 15, 2019
The Naschycast returns with our ninth anniversary episode! We dive back into the films of beloved Spanish filmmaker Jess Franco with THE DIABOLICAL DR. Z (1966). This is one of the director's final black & white movies and is considered by many to be his most accomplished work. I'm not sure where I would rank it on Franco's long list of credits but it is certainly a fantastic and beautiful horror film that features several amazing performances. It also has one of the best revenge seeking female mad scientist characters in cinema history. The lovely and deadly Doctor Zimmer is not someone you want to antagonize! Especially not when she can bend to her will the incredible nightclub dancer Nadia (a.k.a. Miss Death) whose long fingernails are laced with poison! And did I mention the murderous, mind-controlled escaped convict willing to strangle anyone blocking the destructive path of this mad woman? Strap in or, more likely, be held down by scary robotic arms for this amazing film!
Troy and I ramble our way through a discussion of this Spanish Horror classic marveling at the clarity and sharpness of the print available on the Kino Blu-Ray. The black & white cinematography of Alejandro Ulloa is remarkable to see in high definition. As fans of his director of photography work for Naschy's lushly colorful EL CAMINATE (1979) and NIGHT OF THE WEREWOLF (1981) we're amazed by his ingenuity at presenting shades of light and darkness without losing detail. Even if the film was only half as good as it is Ulloa's skill would make this a must-see for curious cinema aficionados.
We pick apart the plot, question the need for certain evil elements and gush about the intelligence of the script. Some time is spent on co-writer Jean-Claude Carrière's amazing career with me delighting in talking about his late 1950's Frankenstein sequel novels. The adult nature of the story is discussed as we make note of possible censored spots in the narrative. The amusing onscreen roles played by Franco and his longtime musical collaborator Daniel White are pointed out so that we can praise their acting talent. And we can't resist taking note of Franco's kitty co-star in one scene and his rather direct directorial touch with this wandering performer. Meow!
Any comments or questions can be sent to firstname.lastname@example.org or dropped on the Naschycast Facebook page. We read out a couple of missives in the final few minutes of this episode and they stir some unexpected conversation, as always. Thank you for downloading and listening to the show. We'll be back next month with more Spanish Horror!
October 4, 2018
In general, our shows focus on the Golden Age period of Spanish horror but the genre continues to flourish in Spain. Throughout the 90's and on up to today there have been some extraordinary horror movies produced in Naschy's home country including some efforts that were actually copied/remade here in the States. One of those genre films that we've been planning to view for a few years now finally gets our attention in this episode.
You would think that a Spanish made werewolf film would be a natural given the Waldemar Daninsky series being such an iconic pert of horror cinema history. But the number of 21st century lycanthrope tales produced there - or, in Europe actually - can be counted on one hand. Luckily LOBOS DE ARGA (2012) found its way through the hell of modern film financing to the big screen. It must have been a hard sell because not only is it a werewolf story but it's also one of the most difficult genre combinations to attempt - a horror/comedy! That doesn't usually go very well. Indeed, the Naschycast's history with Spanish comedy is......... not good. So, what did Troy and I think of this modern monster wolf story that comes spiked with laughs? Listen and we promise not to spoil the film for you. Seriously.
We have a couple of emails that we answer in the final segment of the show including a voicemail from Britain. You can send your comments and questions to email@example.com and we'll spill our guts to you next time out. We can also be reached on the Facebook page where interesting links show up regularly. Thanks for downloading and listening. If you like the show let others know about it!
September 13, 2018
Sharp-eyed or eared (?) listeners to the Naschycast will recognize THE UNLIVING as an alternate title for a film we've already covered on the show. Troy and I took a look at this Fred Olin Ray joint a few years ago under it's more evocative name TOMB OF THE WEREWOLF and you can still check out episode #30 for our original assessment. This time out we revisit this problematic entry on Paul Naschy's credits at the request of our new guest - David Zuzelco! David is an old friend from the early days of Euro-Trash horror online fandom and someone I should have included in the show much sooner than now. He's a horror comic writer and expert on the trashier side of cinema making him the perfect man to talk about this uncut sex-filled werewolf romp.
The three of us spend a lot of time on this film discussing it's flaws, it's points of interest and David brings some fascinating behind the scenes information to the table. Of course, as you might expect with Euro-Horror fans, we also branch off onto related subjects with a lengthy musing on Jess Franco and the more obscure films of Amando De Ossorio. David and I reminisce a bit about our first podcast experience together on Horror Rise From Spain and his upcoming work in horror comics. Troy and I wrap the show with a brief email from Our Man In The Field before we let you go. He sends us a Powerwolf link!
If you have any comments or questions the address is firstname.lastname@example.org or you can join us on the Facebook page. Thanks for downloading and listening!
August 19, 2018
While most films made in Spain during The Golden Age of Spanish Horror could be seen as comments about the repressive fascist government of that countrY, few films so blatantly addressed the clash of conservative ideas with modernity as A CANDLE FOR THE DEVIL. Set in a small country town outside of Madrid, the film casts two middle aged spinsters as hypocritical defenders of the old ways. These sisters make their living running an inn that seems to mostly attract young, sexually liberated women. When an accidental death is interpreted to have been divinely intended, the ladies dispose of the body and pretend nothing happened. Their rationalization is that if God wishes them punished, it is his will. But crime often has unexpected consequences so soon the duo's lies are piling up as well as more young corpses. Is there any horrible act for which these two deluded women can't find a religious justification? Time and the symbolic secrets in the cellar will eventually tell all.
The Golden Age of Spanish Horror is renowned for it's variations on classic monster movie tropes but there are other less well remembered sub-genres that got attention as well. Although this film could be easily seen as a proto-slasher it also fits nicely into the short lived Psycho-Biddy or Hag Horror genre best exemplified by WHATEVER HAPPENED TO BABY JANE (1962). We discuss this film's connections to that long dead type of scary movie noting the specific Catholic tone imparted by the influence of the Spanish government. This was director Eugenio Martín's second horror film after the exceptionally fun HORROR EXPRESS (1972) showing that he had the touch necessary for the genre. His marriage to Lone Fleming also explains her very sexy presence here. The entire very talented cast comes under discussion as we marvel at the female performances and wonder at Vic Winner's inability to survive a Spanish horror film.
We can be reached at email@example.com where we'll be happy to hear from you. Send along any comments, suggestions or questions and we'll try to answer them next month. If you subscribe to the show in iTunes we'd be thrilled if you could rate & review us there. it helps other people discover what we're doing. Thank you for downloading and listening!
July 29, 2018
I thought it might be fun to make a list of favorite non-Naschy Spanish Horror films and also get Troy to make one of his own so we could argue the various qualities of the films we love. Then I realized how much fun it might be to get others to play along! So, Cort Psyops joins us again this time out to indulge in one of fandom's great games - the making and comparing of lists of favorites!
No conversation about shared passions can go on for too long before people are arguing their favorites and explaining the reasons for rating one beloved thing over another. It is in these discussions that fans come to know each other. The communal exploration of Spanish Horror is something that we've tried to foster with the Naschycast and shows like this might be one of the best ways to bring more people to the party. I know we had a blast trying to name our three favorite of this very thin slice of the genre! Of course, only one of us was able stick the limit of three so the conversation ranges across the decades with many extra titles getting honorable mentions. And the sidetracks are numerous! Be warned - we digress from the topic more than once. We just hope that our ramblings are amusing enough keep your entertained.
One note - when Troy and I return near the end to talk about the Lists left on the Naschycast Facebook page there is a strange crackling on the audio that I could not remove. It only lasts for the first few minutes but it is distracting. Sorry! Technical difficulties are sometimes unavoidable (and mysterious).
If you've never heard Cort's excellent podcast Cinema Psyops you are cheating yourself out of a damned good time. Head on over there and give that show a listen. If you have any comments about this episode or just want to give us your list of favorite non-Naschy Spanish Horror films the email address is firstname.lastname@example.org. We'd be glad to hear from you. The music this time comes from Jonathan Coulton, Piero Piccioni and The Decemberists.